FAMOUS

PAINTINGS

Infogrid Pacific

FAMOUS PAINTINGS

ePub3 Fixed Layout Demonstration

Famous Paintings

© 2012 Infogrid Pacific Pte. Ltd. Some rights reserved.

This is an IGP Fixed Layout (FLO) demonstration book for AZARDI.

Credits

Images and text in this book have been sourced from Wikipedia and interactive

source references are included with the image of each painting.

The text has been edited on an arbitrary basis for this demonstration book and

it is not recommended this is used as a knowledge source.

All Wikipedia text and images are available under the:

Creative Commons Attribution-ShareAlike License

About this Demonstration

This is a valid IDPF ePub3 which uses features than can only be seen

in AZARDI 17. It will load in all other Fixed Layout ePub3 readers but will not

display in the same presentation manner as when viewed on AZARDI.

This book has been FLO metadata configured for

landscape orientation and no page spread.

Visit the Infogrid Pacific Websites

www.infogridpacific.com

azardi.infogridpacific.com

Contact Us

sales@infogridpacific.com

Explore

1. Start

2. Cafe Terrace at Night‎

3. The Dream

4. Whistler's Mother‎

5. The Night Watch

6. The Ambassadors‎

7. Bedroom in Arles‎

Famous Paintings

USING THIS BOOK

1. Scroll the Explore panel on the left to find a painting that interests you.

2. Click on the picture icon to access the article

3. Read about the painting and the artist

4. Click on any painting in the information article to view the image full page.

5. Click the Close X in the top left corner to return to the article. Or...

6. Double-click the image to open it in a new zoom and pan window to explore the image in detail.

ABOUT THE CONTENT

The content for this book has been sourced from www.wikipedia.com. The text and image links are available on each page. If you click the links the source webpage will open in a new Remote Resources window.

This is an arbitrary collection of paintings to show how powerful and efficient navigation interactivity can be created in what is regarded as a linear reading format - ePub.

ABOUT THIS DEMONSTRATION

This is a Fixed Layout ePub3 book demonstrating some of the extended features of the AZARDI ePub2/3 Reader.

AZARDI is designed to allow publishers to cost-effectively create ePub3 books for learning and education with extended and powerful interactive features that exceed the features of expensive Apps.

For more information see the Colophon and the APEX@IGP information page.

Colophon

PRODUCTION TEAM

Editor: Raja Hooka

Programming: Deepak Chandran

Design and CSS: Milan Bishwakarma

Installers and Testing: Manish Jhanwar

PRODUCTION ENVIRONMENT

IGP:Digital Publisher with Formats on Demand.

AZARDI 17 INFORMATION

AZARDI 17 is an ePub2, ePub3 and ePub Fixed Layout Reading system available for reading everywhere.

1. For the desktop (free) for Windows, Linux and MacIntosh

2. Online in Browsers

3. In Android devices (tablets and television)

4. In iPad tablets

AZARDI 17 redefines ePub3 fixed-layout.

ABOUT THIS BOOK

Famous Paintings is a standard, validated ePub3 book. It will open in any ePub3 reading system that supports fixed layout. However only AZARDI will be able to display the layout as demonstrated in AZARDI 17 due to the interpretation of various combinations of spine properties used to create a unique and new e-book navigation strategy defined without programming. There is no Javascript used in this book.

These combinations do not clash with other reading systems because other systems treat fixed-layout primarily as a linear sequence of pages. AZARDI 17 shows that the specification can be used in a much more exciting way.

Fixed Layout Features

Asymmetric Spreads. AZARDI handles FLO page spreads with different sizes and orientations.

FLO + Reflow. AZARDI handles fixed pages which have reflow properties attached if a fixed layout property is applied with the layout-reflowable property.

Spine linear. AZARDI hides pages that are specified as linear-no unless they are directly linked from a visible page.

Left-Right Positioning. A linear-no page that is positioned opposite the linking page will display next to that linking page.

Vertical stacking. If pages are given left-right properties and the property no-spread, they will stack vertically if the metrics are created correctly.

Some Other Features

1. Full Javascript support

2. SMIL audio (note the desktop version only supports WebM and OGG formats. It does not support MP3 or MP4).

3. Auto page advance SMIL reading

4. Continuously resizable framework plus full screen mode

5. User configurable backgrounds and decoration.

Cafe Terrace at Night   Vincent Willem van Gogh

Source: http://commons.wikimedia.org

Vincent van Gogh [Public domain], via Wikimedia Commons

THE PAINTING

Café Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is a coloured oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid-September 1888. The painting is not signed, but described and mentioned by the artist in his letters on various occasions.

Visitors of the site can still stand at the northeastern corner of the Place du Forum, where the artist set up his easel. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais leading up to the building structure (to the left, not pictured) and, beyond this structure, the tower of a former church (now Musée Lapidaire). Towards the right, Van Gogh indicated a lighted shop as well, and some branches of the trees surrounding the place—but he omitted the remainders of the Roman monuments just beside this little shop.

The painting is currently at the Kröller-Müller Museum in Otterlo, Netherlands.

THE ARTIST

Vincent Willem van Gogh (Dutch: 30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art.

After years of painful anxiety and frequent bouts of mental illness, he died aged 37 from a gunshot wound, generally accepted to be self-inflicted. His work was then known to only a handful of people and appreciated by fewer still.

He did not begin painting until his late twenties, completing many of his best-known works during the last two years of his life. His work included self portraits, landscapes, still lifes, portraits and paintings of cypresses, wheat fields and sunflowers.

The extent to which his mental health affected his painting has been a subject of speculation since his death. Despite a widespread tendency to romanticize his ill health, modern critics see an artist deeply frustrated by the inactivity and incoherence brought about by his bouts of illness.

The Dream   Henri Rousseau‎

Source:http://commons.wikimedia.org

Henri Rousseau [Public domain], via Wikimedia Commons

THE PAINTING

The Dream (French: La Rêve, occasionally also known as Le Songe or Rêve Exotique) is a large oil-on-canvas painting created by Henri Rousseau in 1910, one of more than 25 Rousseau paintings with a jungle theme. His last completed work, it was first exhibited at the Salon des Indépendants from 18 March to 1 May 1910, a few months before his death on 2 September 1910.

Rousseau's earlier works had received a negative reception, but poet and critic Guillaume Apollinaire remarked on its debut: "The picture radiates beauty, that is indisputable. I believe nobody will laugh this year."

The stylised forms of the jungle plants are based on Rousseau's observations at the Paris Museum of Natural History and its Jardin des Plantes. The nude's left arm reaches towards the lions and a black snake charmer who faces the viewer playing his flute, barely visible in the gloom of the jungle under the dim light of the full moon.

THE ARTIST

Henri Julien Félix Rousseau  (May 21, 1844 – September 2, 1910) was a French Post-Impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll collector. Ridiculed during his life, he came to be recognized as a self-taught genius whose works are of high artistic quality.

He was mediocre in some subjects at the high school but won prizes for drawing and music. He worked for a lawyer and studied law, but "attempted a small perjury and sought refuge in the army," serving for four years, starting in 1863. He started painting seriously in his early forties, and by age 49 he retired from his job to work on his art full-time.

Rousseau claimed he had "no teacher other than nature", although he admitted he had received "some advice" from two established Academic painters, Félix Auguste Clément and Jean-Léon Gérôme. Essentially he was self-taught and is considered to be a naïve or primitive painter.

Whistler's Mother    James McNeill Whistler‎

Source: http://commons.wikimedia.org

James Abbott McNeill Whistler [Public domain], via Wikimedia Commons

THE PAINTING

Arrangement in Grey and Black No.1, famous under its colloquial name Whistler's Mother, is an 1871 oil-on-canvas painting by American-born painter James McNeill Whistler. The painting is 56.81 by 63.94 inches (144.3 cm × 162.4 cm), displayed in a frame of Whistler's own design in the Musée d'Orsay in Paris, having been bought by the French state in 1891.

It is now one of the most famous works by an American artist outside the United States. It has been variously described as an American icon and a Victorian Mona Lisa.

The sensibilities of a Victorian era viewing audience would not accept what was apparently a portrait being exhibited as a mere "arrangement"; thus the explanatory title "Portrait of the Artist's Mother" was appended. It was from this that the work acquired its popular name. After Thomas Carlyle viewed the painting, he agreed to sit for a similar composition, this one being titled Arrangement in Grey and Black, No. 2. Thus the previous painting became Arrangement in Grey and Black, No. 1 more or less by default.

THE ARTIST

James Abbott McNeill Whistler (July 11, 1834 – July 17, 1903) was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo, "art for art's sake". Finding a parallel between painting and music, Whistler entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony.

Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.

During his life, he affected two generations of artists, in Europe and in the United States. Whistler had significant contact and exchanged ideas and ideals with Realist, Impressionist, and Symbolist painters. As American critic Charles Caffin wrote in 1907:

"He did better than attract a few followers and imitators; he influenced the whole world of art. Consciously, or unconsciously, his presence is felt in countless studios; his genius permeates modern artistic thought."

The Night Watch   Rembrandt Harmenszoon van Rijn

Source: http://commons.wikimedia.org

Rembrandt [Public domain], via Wikimedia Commons

THE PAINTING

The Night Watch or The Shooting Company of Frans Banning Cocq (Dutch: De Nachtwacht) is the common name of one of the most famous works by Dutch painter Rembrandt van Rijn.

The painting may be more properly titled The Company of captain Frans Banning Cocq and lieutenant Willem van Ruytenburch preparing to march out. The Night Watch is one of the most famous paintings in the world.

The painting is renowned for three elements: its colossal size (363 x 437 cm ~ 11 ft 10in x 14 ft 4in), the effective use of light and shadow (chiaroscuro), and the perception of motion in what would have been, traditionally, a static military portrait.

With effective use of sunlight and shade, Rembrandt leads the eye to the three most important characters among the crowd, the two gentlemen in the centre (from whom the painting gets its original title), and the small girl in the centre left background. Behind them the company's colours are carried by the ensign, Jan Visscher Cornelissen.

THE ARTIST

Rembrandt Harmenszoon van Rijn (Dutch: 15 July 1606[1] – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history.

His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting was extremely prolific and innovative.

Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his reputation as an artist remained high. Rembrandt's greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible.

In his paintings and prints he exhibited knowledge of classical iconography.  Because of his empathy for the human condition, he has been called "one of the great prophets of civilization."

The Ambassadors   Hans Holbein

Source: http://commons.wikimedia.org

Hans Holbein the Younger [Public domain], via Wikimedia Commons

Source: http://commons.wikimedia.org

A perspective manipulated image of the anamorphic skull which can only be seen when approaching the picture very closely from the right.

THE PAINTING

The Ambassadors (1533) is a painting by Hans Holbein the Younger in the National Gallery, London. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It is also a much-cited example of anamorphosis in painting.

Although a German-born artist who spent most of his time in England, Holbein displayed the influence of Early Netherlandish painters in this work. This influence can be noted most outwardly in the use of oil paint, the use of which for panel paintings had been developed a century before in Early Netherlandish painting.

What is most "Flemish" of Holbein's use of oils is his use of the medium to render meticulous details that are mainly symbolic: as Jan van Eyck and the Master of Flemalle used extensive imagery to link their subjects to divinity, Holbein used symbols to link his figures to show the same things on the table.

THE ARTIST

Hans Holbein the Younger (c. 1497 – between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school.

Holbein's art was prized from early in his career. Holbein has also been described as a great "one-off" of art history, since he founded no school. Holbein's art has sometimes been called realist, since he drew and painted with a rare precision.

Holbein was never content, however, with outward appearance. He embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style".

Bedroom in Arles    Vincent van Gogh

Source: http://commons.wikimedia.org

Vincent van Gogh [Public domain], via Wikimedia Commons

THE PAINTING

Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh.

Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters, easily discernible from one another by the pictures on the wall to the right.

The painting depicts Van Gogh's bedroom at 2, Place Lamartine in Arles, Bouches-du-Rhône, France, known as his Yellow House. The door to the right was opening to the upper floor and the staircase, the door to the left served the guest room he held prepared for Gauguin. The window in the front wall was looking to Place Lamartine and its public gardens. This room was not rectangular, but trapezoid. Van Gogh evidently did not spend much time on this problem, he simply indicated that there was a corner, somehow.

THE ARTIST

Vincent Willem van Gogh (Dutch: 30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art.

After years of painful anxiety and frequent bouts of mental illness, he died aged 37 from a gunshot wound, generally accepted to be self-inflicted. His work was then known to only a handful of people and appreciated by fewer still.

He did not begin painting until his late twenties, completing many of his best-known works during the last two years of his life. His work included self portraits, landscapes, still lifes, portraits and paintings of cypresses, wheat fields and sunflowers.

In March 1886, he moved to Paris and discovered the French Impressionists. Later, he moved to the south of France and was influenced by the strong sunlight he found there. His work grew brighter in color, and he developed the unique and highly recognizable style that became fully realized during his stay in Arles in 1888.

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Table of Contents

Cover

Famous Paintings

Copyright

Explore

Famous Paintings

Colophon